I f loving you is wrong, as the opening track on Millie Jackson's fourth album states, then I don't want to be right. I could have picked an album that more people listen to, that is less schlocky, a lot more cool. The cover: three people trapped in a spider's web of "lurve" may be of its time. But back then Jackson was singing about sexual relationships in a complicated and grown up way that, for me, signalled a world to come. I just love her voice. Raw power indeed: world weary, swooping from tender-sweet to a licentious roar. Caught Up is a concept album. The concept, however, wasn't the "state of the universe", as was then fashionable. No, it was the everyday concept of a love triangle.
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You see, the terrible thing about being in love with a married man is the fact that you can't see him when you really want to, and that can get to you sometimes. Late in the midnight hour, when you feel like you need a little loving, the man ain't nowhere around, and that can get to you sometimes. Early in the morning, when you really feel like you need someone to hold on to, the man ain't nowhere around, and that can really get to you sometimes. You gotta always be by yourself, 'cause that's the time when the families get together. All the in-laws come to visit, so he has to stay home and play the part of the good and faithful husband.
